New Poem #4: Upon Going to a Vocal Recital at the University of Arizona
Upon Going to a Vocal Recital at the University of Arizona
In the music department
I was always warned in hushed tones
over the shined brass bells of tubas or the oily
keys of communal brown upright pianos, never
date anyone in the choral studio—singers are more
trouble than they’re worth, none of them knowing
I had, before.
You were brilliantly lit, owning the stage with
your gentle pacing and the swishing of your
shining green gown. You concluded your compulsories
and delivered then a butter-smooth rendition
of a song sung to me a thousand times before,
as a baby and a boy before staunchly deciding I was ‘Dan,’
and from the She who sang it with a wink
from the stage at my high school’s senior showcase,
and the same She who over a tinny cordless phone
sang to me sitting on a dorm’s concrete back steps
my freshman year away from home,
and it seemed in the crowded concert hall
you sang it just for me:
Oh
Danny
Boy…
And sitting in the audience, it was impossible
not to want you: imagining you of transcendent high C
floating down the staircase at stage left, amidst
the thunderous applause to which you were so richly
entitled, beaming,
into my open arms.
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This is one of those poems where I've got to be careful at delinating the She from the You--both clearly enough and early enough. How do you think I negotiated that? How does it work outside of that? How's the imagery--flat, cliche?